In recent past, I came across a writer, John Berger, a man
of letters who takes on many forms of writing. Berger is an author who is in
touch with his intellectual senses on his surroundings; he writes about seeing from
his experience, his viewpoint, and his way of looking at the world in depth of
artistry. His essays revolve generally on the perception of things, such as
paintings, photographs, cities, social and political issues.
In the chapter “Uses of Photography” in his book About Looking, John Berger writes his
thoughts on this subject according to his responses to Susan Sontag’s book On Photography. In this essay, Berger
unfolds his view of photograph as a reflection of memory. He is convinced that we
use our memory to perceive photographs. Berger believes that the function of a
photograph is not like any of other visual images, which serve as a rendering,
an imitation or an interpretation; photograph is actually a trace of its
subject.
Berger distinguishes photograph into two different uses;
private photographs which serves as a reminder to trigger one’s mind of a
person or a past event, and public photographs which offer information or a historical
documentation. Private photographs, such as family portraits, provide a meaning
because they evoke our memory. On the contrary, public photographs, such as
news photos, do not supply meaning because their contents do not call up any of
our memory, and for this reason, seeing public photographs is like seeing a memory
of a total stranger.
I find that Berger’s observation in this essay neglected to include
the use of photographs in art, which does not necessary deal with memory. Art
photography does not fundamentally need to deliver the connection to social
memory and experience in order to achieve its function. I believe that we can
perceive meaning in photograph without having to reflect on our memory or our
reality. The perception of art photographs is not accessing a stranger’s memory
nor simply looking at the appearance of its subject.
Art photography, as it is a type of public photograph,
provides information, but information in which express meanings. It operates
similarly to painting; it is a mode of creative expression. Like paintings,
numerous forms of art photography manifest the expressive perception and
emotion of the photographer. Although this type of photographs is still just
appearances, photographer could create, compose, fabricate and alter the
content in order to produce a meaning and to deliver a message.
Reference
Berger, J. (1980). Use of Photography. About looking. pp 52-67. New York: Vintage International.
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